Kitchin, Rob (2010) Post-representational cartography. lo Squaderno, 15. pp. 7-12. ISSN 1973-9141
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Abstract
Over the past decade there has been a move amongst critical cartographers to rethink maps
from a post-representational perspective – that is, a vantage point that does not privilege
representational modes of thinking (wherein maps are assumed to be mirrors of the world)
and automatically presumes the ontological security of a map as a map, but rather rethinks
and destabilises such notions1. This new theorisation extends beyond the earlier critiques
of Brian Harley (1989) that argued maps were social constructions. For Harley a map still
conveyed the truth of a landscape, albeit its message was bound within the ideological
frame of its creator. He thus advocated a strategy of identifying the politics of representation
within maps in order to circumnavigate them (to reveal the truth lurking underneath), with
the ontology of cartographic practice remaining unquestioned. As Jeremy Crampton (2003:
90) has argued, Harley’s approach ‘provided an epistemological avenue into the map, but
still left open the question of the ontology of the map.’ Recent work has started to probe cartography’s
ontology and in this short paper, I detail in brief five such attempts to rethink the
ontology of maps to provide a new perspective on how they are conceived, made and used.
Item Type: | Article |
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Additional Information: | The definitive version of the article is available in lo Squaderno no. 15, March 2010: Maps: beyond the artifact |
Keywords: | maps; representation; cartography; |
Academic Unit: | Faculty of Social Sciences > Geography Faculty of Social Sciences > Research Institutes > National Institute for Regional and Spatial analysis, NIRSA |
Item ID: | 3846 |
Depositing User: | Prof. Rob Kitchin |
Date Deposited: | 05 Sep 2012 15:49 |
Journal or Publication Title: | lo Squaderno |
Publisher: | professionaldreamers |
Refereed: | Yes |
Related URLs: | |
URI: | https://mu.eprints-hosting.org/id/eprint/3846 |
Use Licence: | This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here |
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